Available for sale from Ruiz-Healy Art, Mel Casas, Humanscape 135: #2 Mexican Plate (1984), Acrylic on canvas, 72 × 96 in His work has been collected by the San Antonio Museum of Art, Smithsonian American Art Museum, and nationally and internationally. This article treats the first three years of work on this series, a period in which the artist referenced cinematic settings and audiences while registering aspects of the sexual revolution. Works for sale (15) Notable Works. The Smithsonian American Art Museum is proud to own paintings by artist, including Humanscape 62, which was featured in our exhibition Our America: The Latino Presence in American Art. Website powered by Foundation, « Daphid Unveils Controversial Body Of Work At K23 Gallery, Artist On Artist: Gary Sweeney Probes Ricky Armendariz On Work & Mentoring », McNay Hosting Gallery Talk on Legacy of Late San Antonio Artist Mel Casas, Leveling the Playing Field: Convention Center Brings More San Antonio Artists Into the Fold, Twirl’s Lisa Weller Shares Highlights From Haute Couture Week in Paris, San Antonio’s Latest Co-Working Space Is About to Open, Civil Attorney From Mexico Moves To SA For The Arts, Humanizing Crisis: Borderland Collective’s ‘One to Another’ Takes a Compassionate Look at Immigration, McNay's ‘Immersed’ Showcases SA Artist Chris Sauter Alongside International Art Stars, Artist Ana Fernandez Captures the Essence of San Antonio in Puro Exhibition 'Still Life', The San Antonio River Walk holiday lights will remain lit until Valentine's Day, KLRN and Presa House Gallery present online screening of, Notice Regarding Coronavirus Event Cancellations, International House of Pancakes (Wurzbach). San Antonio Current works for you, and your support is essential. })(); Podcast examining Tejano star Selena Quintanilla’s impact on culture launches next week, Monster Jam truck rally at Alamodome postponed until July, DreamWeek’s virtual discussions aim to build civic engagement, We all need to stop doomscrolling and find better things to look at on social media right now. Humanscape 39.jpg. "Mel Casas: Artist as Cultural Adjuster" is a book that will appeal to many audiences from everyday people to academics. Humanscape 51; Date 1969. Courtesy San Antonio College Show More Show Less 3 of 10 "Humanscape 62 (Brownies of the Southwest)," a 1970 painting by Mel Casas, will become … "Mel Casas: Artist as Cultural Adjuster" is a book that will appeal to many audiences from everyday people to academics. San Antonio-based artist Mel Casas died on November 30, 2014 after a two-year battle with cancer. Mel Casas. 2 of 9 “Humanscape 62 (Brownies of the Southwest),” a 1970 painting by Mel Casas, is part of the permanent collection at the Smithsonian American Art Museum. Next, Casas added stenciled captions to the bottom of his paintings, making conceptual wordplay an important aspect of his work. Until very recently, Casas painted tirelessly throughout the decades. Casas is best known for a handful of paintings with Chicano themes, such as Humanscape 65 (New Horizons, 1971) and Humanscape 68 (Kitchen Spanish, 1973), which have been featured in many traveling exhibitions. Photo courtesy Mel Casas Family Trust Artists Respond at The Smithsonian. Unlike many newspapers, ours is free – and we'd like to keep it that way, because we believe, now more than ever, everyone deserves access to accurate, independent coverage of their community. script.src = 'https://us.commitchange.com/js/donate-button.v2.js'; But it's taken me years to convince his family and local institutions to have this show," said Cordova, who is working on a book about Casas. By Mel Casas, 1969. Humanscape 135: #2 Mexican Plate takes the nomenclature and iconography of South Texas food and juxtaposes it with a playful desert tableau. On the other hand, many artists have warm memories of the man and talk about how kind and encouraging he was about their art. Humanscape - An Exhibition in Tribute to Mel Casas By Office of University Communications Tuesday, 05 26 2015. ‎Mel Casas: Artist as Cultural Adjuster showcases the work of American Pop Artist Mel Casas. Humanscape 40.jpg. Featured in the Whitney Biennial, The Anatomy of a White Dog (1973), cross-sections of a German shepherd and giant purple bone, refers to the dogs used against Freedom Marchers at Selma and what Casas called "the fear of the black penis. Not to mention being the first president of Con Safo, a pioneering Chicano art group in the early 1970s and his 29 years of teaching art at San Antonio College. Humanscape - An Exhibition in Tribute to Mel Casas By Office of University Communications Tuesday, 05 26 2015. IMAGE 3: MEL CASAS, HUMANSCAPE 62, 1969. Getting the Big Picture: Mel Casas and the Politics of the 1960s and 1970s Ruiz-Healy Art’s "Mel Casas: Iconic Reality" features a body of work not shown together previously. After several paintings of people in movie theaters, Casas arrived at an eight-by-six-foot format proportionately similar to a movie screen. In 2012, the Smithsonian purchased its second work by Casas, Humanscape 62 (Brownies of the Southwest). We are not announcing a reopening date at this time and will provide updates on our websites and social media. Humanscape 46.jpg. Casas painted “Humanscape 47 (Still-Life)” as a tribute to Robert F. Kennedy and Martin Luther King Jr., who were both assassinated that year, and John F. Kennedy, who was killed in 1963. Humanscape 41.jpg. Medium Acrylic on canvas. ", [SLIDESHOW: 21 Paintings From ‘Getting the Big Picture: Mel Casas and the Politics of the 1960s and 1970s’ At Galería Guadalupe]. Selected as the San Antonio Art League's Artist of the Year in 1968, Casas used his acceptance speech to strip the clothes off a Barbie doll while lecturing about the privileges of being white, blond and blue-eyed. ‎Mel Casas: Artist as Cultural Adjuster showcases the work of American Pop Artist Mel Casas. The Smithsonian American Art Museum is proud to own paintings by artist, including Humanscape 62, which was featured in our exhibition Our America: The Latino Presence in American Art.In this blog post, Curator for Latino Art E. Carmen Ramos reflects on the importance of Casas' art. Dimensions 72 × 96 in. Humanscapes is one of the most remarkable series of paintings in the history of American art.". Courtesy San Antonio College Show More Show Less 3 of 10 "Humanscape 62 (Brownies of the Southwest)," a 1970 painting by Mel Casas, will … Currently on view at the McNay art museum in San Antonio, in conjunction with the exhibition Pop América, 1965–1975, is a presentation of six large-scale paintings and eight other works by the late San Antonio-based artist Mel Casas (1929-2014). The Art League stripped Casas of the award, and now the list of artists of the year on the league's website lists the 1968 winner as "All Past Artists.". 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